Saturday, May 19, 2012

Advantages of Going 'Pro' - The Avid Mbox

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The Mbox Pro by Avid is the more expensive, fancy model of the Mbox - a long revered recording interface for musicians and studio technicians alike. But with the success and great features of the general Mbox, is it positively worth paying the extra money to get the 'Pro' model, or is it purely a bragging right? Read on to find out.

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One of the customary differences between the standard Mbox and the Pro is the further 4 channels (the general Mbox only has 4, the Pro has 8). So right away, if you have the need to simultaneously article 4+ channels of audio, you're going to have to go with the Mbox Pro.

But this isn't the only differentiator. Another necessary disagreement between the units is that the Pro has best quality convertors and preamps - an excellent selling point for those audiophiles obsessed with high recording quality.

The Pro is also capable of 192kHz recording (although at the time of writing, Pro Tools only supports recording at 96kHz, which is the same as the standard Mbox).

A great highlight is the 2 Line inputs (1/4" Trs), that are excellent for connecting active, high-gain input sources such as keyboards to the device.

One of the things that may turn-off inherent Mbox Pro'ers is that it uses FireWire for interfacing with your Pc / Mac and has a detach power supply (unlike the standard model, which uses Usb 2.0 and has no detach power supply). This means the device isn't as transportable as the economy models. If you want a highly transportable solution (for laptop based recording, for example) then you should probably avoid the Pro.

Another great highlight of the Pro is that it natively supports 5.1 surround stereo, which the economy models do not. If you intend on doing any recording and/or mixing for videos, this may be of concern to you.

The Pro also has a jack for a footswitch, enabling you to speedily and positively toggle Pro Tools features while recording live. This is particularly useful for 1-man operations where you're simultaneously playing the part of studio technician and recording artist.

Of course the big interrogate is: is the device worth the hike in price? It is, afterall, nearly 50% more costly than the standard model. And the reply to this interrogate will lie in either or not you will potentially need the further features. If you can get by with 4 or less channels of audio, have no need for 5.1 surround sound, or if you want a transportable solution, the standard device is probably the way to go. You may even be worth finding at the 'Mini', which has 2 input channels and is significantly cheaper.

In summary, the Mbox Pro is a very great recording device, and is feature-rich enough to act as the centre-piece of a pro recording set-up. On this same train of thought, if you don't need the further features offered by the Pro, it is much more cost efficient to go with one of its economy cousins - the Mbox standard or the Mini.

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